The Age of Aquarius Zodiac Killer
Joe Goldberg to June Osbourne to Joseph Anderson to
Sometimes, instinct leads you exactly where you need to be. The serial killer storyline is one of my guilty pleasures.
That’s why a few weeks ago, without any real reason, I started rewatching You from the very beginning.
Just a private, intuitive pull.
And then — almost like clockwork — Netflix announced the final season was on its way.
I felt strangely ready, already submerged again in the magnetic, unsettling world of Joe Goldberg, just in time to watch it all come undone.
It’s a rare thing when Netflix, or any network, lets a show complete its arc without dragging it into oblivion, but You are getting an ending.
The Handmaid’s Tale is too, soon finishing its final season on Hulu as it walks the line between soft and brutal.
Both of them, favorites of mine.
Both of them, lighthouses of a certain kind of storytelling — sleek, psychologically sharp, merciless.
Watching them move toward closure feels bigger than visual media.
It feels like the closing of a cultural chapter, the wrap-up as we transition into the Age of Aquarius—arriving now as the Nodes of the Moon are in Virgo and Pisces.
“What I love is that he breaks the fourth wall.”
Sacred Cycles, Serial Killers, and the Birth of Brother Joseph.
For years, I've been quietly building my own story: Limerence — an original TV mini-series.
The echo is deliberate.
The male lead in Limerence shares DNA with Joe Goldberg: the same fevered erotomania, the same blurred line between love and possession, between protection and destruction.
But Limerence isn't a mirror.
It’s a prism.
There’s a killer on the road.
— Riders on the Storm, The Doors
Limerence rewrites whatYou began.
Instead of prowling modern cities, Limerence moves through the gritty, electric atmosphere of the Vietnam War draft — a real-world dystopia of fear, rebellion, and counterculture dreams breaking apart.
Where The Handmaid’s Tale imagines tyranny in a fictional future, my story draws from the blood and breath of actual history.
It captures a time when love and war danced dangerously close, when youth and power were bartered in smoky rooms, and when freedom was an illusion easily shattered.
It’s not just another love story.
It’s a psychological siege.
A war story between hearts, inside a nation coming apart at the seams.
In the space left behind by shows like You and The Handmaid’s Tale, something new has to rise.
Audiences today are hungry for stories that challenge, hypnotize, and haunt — especially now, as modern whispers of civil unrest and global conflict ripple through the world like distant thunder.
It’s time to reflect on the recent threats of drafts and the shadows of history that linger inside of our living ancestors — to draw from their lessons on the need for peaceful coexistence and shatter history’s revolving door of conflict before our freedoms are once again staked on the altar of necessity.
In the Age of Aquarius, the story shifts from Patriarchy to Unity: from the law of the Father to the love of the Brother.
A Killer With a Cause
When I began writing the pilot episode of Limerence in 2022, I was writing the first biracial lover’s on-the-run tv series to exist— according to Wikipedia.
Sometimes, instinct leads you exactly where you need to be.
Limerence was written for that space.
For Netflix.
For Hulu.
For the platforms that changed storytelling by embracing the complex, the brutal, the beautiful.
If you're reading this —
If you stumbled across these words — maybe it's not an accident.
Maybe you're the one who finds the next story that needs to be told.
After all, Stranger Things have been known to happen.
