The Age of Aquarius Zodiac Killer
Joe Goldberg to June Osbourne to Joseph Anderson to
Sometimes, instinct leads you exactly where you need to be. One of my guilty pleasures is the serial killer storyline.
That’s why a few weeks ago, without any real reason, I started rewatching You from the very beginning.
Just a private, intuitive pull.
And then — almost like clockwork — Netflix announced the final season was on its way.
I felt strangely ready, already submerged again in the magnetic, unsettling world of Joe Goldberg, just in time to watch it all come undone.
It’s a rare thing when Netflix, or any network, lets a show complete its arc without dragging it into oblivion, but You are getting an ending.
The Handmaid’s Tale is too, soon finishing its final season on Hulu as it walks the line between soft and brutal.
Both of them, favorites of mine.
Both of them, lighthouses of a certain kind of storytelling — sleek, psychologically sharp, merciless.
Watching them move toward closure feels bigger than visual media.
It feels like the closing of a cultural chapter, the wrap-up as we transition into the Age of Aquarius—arriving now as the Nodes of the Moon are in Virgo and Pisces.
“What I love is that he breaks the fourth wall.”
Limerence rewrites whatYou began.
For years, I've been quietly building my own story: Limerence — an original TV mini-series.
The echo is deliberate.
The male lead in Limerence shares DNA with Joe Goldberg: the same fevered erotomania, the same blurred line between love and possession, between protection and destruction.
But Limerence isn’t a mirror.
It’s a prism.
Instead of prowling modern cities, Limerence walks into the past — into the charged, hallucinatory era of the Vietnam War draft, where the world itself was already losing its grip on reality.
A real dystopia, not a speculative one.
There’s a killer on the road.
— Riders on the Storm, The Doors
Sacred Cycles, Serial Killers, and the Birth of Brother Joseph.
And in that setting, I began to notice a new archetype forming — one I believe belongs to the Age of Aquarius.
In the era we’re entering, the “serial killer” won’t remain the cold, ego-driven lone wolf of the past. The next iteration will be less psychopathic and more fractured — delusional, hallucinatory, and psychologically porous.
In Limerence, the serial killer’s unraveling isn’t rooted in ego or thrill-seeking. It begins with love, music, and meaning bleeding into one another until the world tilts.
Songs become omens. Desire becomes prophecy. Reality becomes symbolic.
He isn’t killing to feel powerful.
He’s killing because he believes he must.
In his fractured perception, he’s not the villain of the story — he’s the one preventing a greater harm.
This is the evolution I began to see:
From the psychopathic and self-obsessed “Average Joe” to the visionary mission of “Brother Joseph.”
A shadow figure who, in his broken way, believes he is serving something larger than himself — even protecting others.
Not a hero.
But no longer a Monster in isolation.
A transitional archetype between the patriarchal “man as executioner” to the Aquarian “man as brotherhood.”
Limerence is my attempt to capture that shift — the moment the collective shadow stops stalking us and begins, in its distorted way, trying to warn us, teach us, or cleanse us.
In the space left behind by shows like You and The Handmaid’s Tale, something new has to rise.
Audiences today are hungry for stories that challenge, hypnotize, and haunt — especially now, as modern whispers of civil unrest and global conflict ripple through the world like distant thunder.
It’s time to reflect on the recent threats of drafts and the shadows of history that linger inside of our living ancestors — to draw from their lessons on the need for peaceful coexistence and shatter history’s revolving door of conflict before our freedoms are once again staked on the altar of necessity.
In the Age of Aquarius, the story shifts from Patriarchy to Unity: from the Law of the Father to the Love of the Brother.
A Killer With a Cause
When I began writing the pilot episode of Limerence in 2022, I was writing the 1st Biracial Lover’s on-the-Run tv series in existence — according to Wikipedia.
Sometimes, instinct leads you exactly where you need to be.
Limerence was written in the pulse of that knowing, the heartbeat that tells you a story exists before anyone else does.
The pulse of Netflix, Amazon, Apple, Hulu: the streaming platforms changing storytelling by embracing the complex, the brutal, and the beautiful.
If you're reading this —
If you stumbled across these words — maybe it's not an accident.
Maybe you're the one who finds the next story that needs to be told.
After all, Stranger Things have happened.
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